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upcoming

        
reveries and elegies
is Mary Armentrout's new site specific performance project
- a shifting, wandering, accumulating, de-accumulating installation that is trying
to deal with a shifting, ungraspable subject: change, loss, dislocation

life is so strange, life is so strange - it's always changing and always staying
the same

I promise the show will be different every night
I promise the show will be special every night
I promise that you won't see ALL the shows (even if you come to each and every one)
(life is so strange, life is so strange)
-you WANT to be in control
-you WANT to have it all
(you secretly yearn to run into the fact that you're not in control at all)
(you secretly yearn to be released into the knowledge that life is ungraspable - not only
         by everyone else, but also by you)

last winter there were 9 shows at four different spaces in the Bay Area and one in Louisiana, as the show meandered through the national landscape:
-December 1st and 2nd, 2012, at 4pm, at the Milkbar at the Sunshine Biscuit
     Factory, 851 81st Ave, Oakland
-December 22nd and 23rd, 2012, at 4pm, at Interface Gallery, 486 49th
     Street, Oakland
-January 12th and 13th, 2013, at 4:15pm, at CounterPULSE, 1310 Mission
      Street, San Francisco
-February 23rd and 24th, 2013, at 3:30pm, at senseofplace LAB : Baker
     Beach
-March 1st, at 8pm, at the Hopkins Black Box Theater, LSU

AND, since those shows all sold out, there will be 8 more shows here in the Bay Area this coming January 2014, before the show wanders again - this time to England and further. all the Bay Area shows will be at the Milkbar in Oakland this time:
-January 4th and 5th, 2014 at 4:15pm
-January 11th and 12th, 2014 at 4:30pm
-January 18th and 19th, 2014 at 4:30pm
-January 25th and 26th, 2014 at 4:45pm
     NOTE: since this show happens in conjunction with sundown, show times are a little wacky and very specific, all shows start promptly at their start times, and the space is always open a half hour before the show start time

featuring:
performance by Natalie Greene, Frances Rosario, Nol Simonse
sound by Pamela Z and Evelyn Ficarra
video by Ian Winters

tickets: $20
seating is VERY limited and shows will sell out - get your tickets early!
tickets only thru Brown Paper Tickets - no tickets at the door
informal reception always on after the show - eats and drinks
more info: call 510 289 5188 or email ma@maryarmentroutdancetheater.com


get your tickets here

find directions to the Milkbar here


read Heather Desaulniers' fantastic review from last year here


read the great critic's pick in the SF Bay Guardian here


and here's the great critic's pick in the East Bay Express


and, here's the fantastic critic's pick in the SF Weekly



here's Rita Felciano's great pick in the SF Bay Guardian from last year


read Jim Tobin's "Choreographer of the Month" preview here


and read the full press release here 













  the woman 
invisible to herself

        
- is Mary Armentrout's acclaimed "solo" show that explodes both the notion of self-identity and the usual proscenium model of dance theater - meaning it is both a site specific performance installation in and around the old Sunshine Biscuit Factory in Oakland, as well as an autobiographical "solo" show with three other people playing also playing the title role, since this is a self that can't be kept in one piece. - 

This show has now had two sold out runs at the Biscuit Factory, and has got me a nomination for an Izzy (the bay area's Isadora Duncan Dance Awards) for choreography. Yeah. Not too bad!

However, I am feeling like this show could tour - perhaps we could sell out shows in other places too! - and even though there are some unusual considerations because of the site-specific aspects of the piece, I think it could map onto many different locations with great success.

So, here is my current wish for "woman invisible" - I will find another large (or small) industrial site/ theater spot in New York City, or Chicago, or Seattle, or Portland, or your town! where I will be able to create a new embodiment of this piece. If you have any thoughts in this direction, I would love to hear them!




read the great SFBG Weekly Pick by Rita Felciano

or the great first review by Heather Desaulniers of Critical Dance

or the great second review by Heather Desaulniers of Critical Dance

or the lovely write up in the SF Chronicle 

plus the Staff Pick in the East Bay Express

or the second Staff Pick in the East Bay Express

or the Top Emotional Dance Moment pick at Jim Tobin's Bay Area Dance Watch

and read the full press release here